Who left the shutter open?

I'm just not tired yet of old tricks. Maybe because the results are always new. I mean, the Earth is big and we always come up with new things, or new ways of seeing the old things. I still think that you can get very cool effects without much "post production". Here is what I got at the Grove Hotel last night. I tried many approaches: I used a regular 30' exposure, then I added some polarizing,(I know, it's a little too dark) for a longer exposure time. I tried bulb approach. I had to tweak with this one on Lightroom for a little bit just to darken the wall. This is some sort of a fountain on a wall, kind of thing. I will post a little broader view below. I am always interested to see how the "whole thing" looks when we see just bits and pieces of a composition.
I liked this section so much that I set it up behind the header. It's so abstract that it doesn't matter if you rotate it. Anyway, now you know where the header is coming from. Courtesy the Grove Hotel.










And here is the old trick. This is done by zooming (in or out) while leaving the shutter open.













And here is the broad picture.

Adobe Photoshop Express & more

One thing that I have stumbled upon lately was the Photoshop Express Beta website from Adobe. The link takes you to some of my uploads where I have just tried out things. I am including in this post a picture I took of a red truck carrying some huge big pipes or faucets/joints or whatever that is.

I grabbed this shot while driving to work. I was obviously driving on the freeway (70mph or higher) when I notice this nice machine driving in front of me, as I merge onto the freeway. I immediately slowed down to the posted speed limit and matched his speed. I grabbed my camera took it out, and looked through the viewfinder. [Do not try this at home! ... nor in the car.] The whole image will move along with your camera. I took about three shots from this angle and a few others from up closer while driving in parallel. I picked this one to be the best and I uploaded it on Photoshop Express and tweaked with it a little bit. What I liked the most was what Adobe calls "pop color". The result is what you see in the first image. Below is the original. Something to keep in mind is that in order to create a pretty cool effect you must already have a little bit of a "pop color" in your composition. Had there been any red in other parts of the picture (other cars, shining in the wheels, or traffic signs) they would have been "popped" out as well.

The only problem I have with this image is that it does not have a precise focus. There is no particular focused center. The reason is that when I shot something else the day before (I forgot what it was, it must have been some closer work - I can't say "close up" or macro, since I was using the same lens, Canon stock 18-55) and I focused manually. I had forgotten to set the lens back to auto focus so there it is, a rather unsharp image if taken into a closer look. My luck was that I had used somewhat of a narrower aperture (f13), which focused the light enough for me to be able to use this photograph.


Some other cool things that you can do with Adobe Photoshop Express beside the regular and expected saturation, crop, rotate is distort your images, create sketches, add a little soft focus (as much as digitally possible) and so on.


Here is what I did with this spontaneous shot.














A little hue.















A little stretch.















The possibilities are many. What would we do without these gadgets to tickle our sense of reality?

background

I must say that I have always been excited about photography. I remember taking pictures with my mom's camera (a Смена - pronounced Smena) and looked like this. She just happened to have one that particular brand, (no Russian connections) and I am not sure that the model was the exact same on like the one in the link. She also had another one, (another brand) that I didn't know how to use. I do remember that the other one had a built-in light meter. I must have been 8 or 9 when I started taking pictures. The Смена is a range finder camera, with film. I only used black & white film and took pictures of my class mates in trips and such.

While living in Germany I was so close to getting a new camera but never really got one. Finally, I started using a digital SLR (DSLR) not very long ago and started experimenting quite a bit. I have been doing a lot of reading and researching into photography.

I will post some books and websites that I have stumbled upon. Meanwhile I carry my camera with me all the time and take pictures of all kinds of things. All for experimenting.

Cameras - Digital versus Film - questions?

The truth is that there still are there photographers who swear by using film only. I totally understand that. Even though the process of actually taking the photograph (the way the light enters your camera obscura) is the same to a great extent, the way you take it out of there is quite different. The film needs to be post processed ,and the way that is being done depends on the type of film you are using (negative or transparency), the film's sensitivity (speed) and the effects you are looking for. Now you can do a lot more in the digital world if you take out a digital file out of your camera, and the most flexibility is offered by cameras the allow you to record your images in what is called RAW. Now, RAW is not actually a file type but more of a concept. It's the idea of recording the information that your camera sees during the short time when you allow the shutter curtains to be released and the image to be captured on the media, in this case digital media.

The flexibility comes from you being able to tweak with all that information afterwards, when you open the digital file on a computer. That includes colors, saturation, sharpness, and the most important, white balance and even exposure. The beauty of this is the elimination of color correction filters for artificial lighting (such as correcting the yellow/orange hue of a picture taken in tungsten lighting or the green hue of pictures taken in fluorescent bulb lighting.)

If you use film, you need to correct that light before it enters your camera and you cannot do much after that. I am not sure if you could correct the light as you develop the film. I know you can use special film balanced for that particular lighting. Yes, there are special films for different types of lighting (indoor, outdoor, sunlight, sunset, etc.) The drawback for film use, from this point of view is that you need to "consume" a whole roll before you can change it to a different roll for a new location or different lighting.

Film has its upside in the financial part of your photography. I will explain the different sides of it here: first, most film is cheap now, but in the long run, if you take lots of pictures, or use continuous shooting, you run out quickly and that eventually adds up. Film cameras are cheaper than digital cameras, even the SLR ones. (SLR single reflex camera). There are exceptions of course. Leica is one of them. (Don't be thrown of by the '60s look of their models. Their beauty lays in some other place.) Second, it costs money to process and if you want to do it on your own and want to be able to control the process, it will be costly since there is a lot of "chemistry" involved. The up side is that a lot of photo buyers (yes, there are people interested in buying photographs from you, and we will get into that later) still use a lot of film for their needs. The best thing is transparency film, which is not the same as negative film. I believe that in the next few years they will change to using digital format for their needs too. There are photo buyers who already accept submission in digital format. Eventually people will use digital photography for the most part. It's easy to "transport" or to send places and it's very easy to duplicate. You won't need to guard that original transparency like precious gold.

Digital media has its pluses too. One immediate upside is that you can actually see your results (small ones, in size) right after you have taken the picture on your camera's LCD. You can delete them if you don't like them and make some space for future, better results, right there on the spot. With the development of faster and bigger storage media (CF, SD cards etc.) space becomes cheaper. So you will be able to store more of your successes or missed photos for later reviewing and make the final call of that stays and what goes on your computer where you will be able to see much more details of your work.

A drawback for digital photography is that in order to take high quality pictures you will need an expensive camera, although companies come up with more and more accessible cameras that take up to 1o megapixels images. Megapixels have to do with the size of your printable image. You can of course use post processing for enlarging an image, but computers will have to do a lot of guessing in order to actually change that file and make it bigger (add more pixels).

All in all for starters, even if interested in the high quality photography I would use digital. Even if (some) artists still use film, I believe it is possible to achieve great results with digital cameras. Then I say digital, I mean SLR. I will hardly even talk about point and shoot cameras since they are more the consumer side of photography. (Take pictures of the kids to send to their grandparents) Not only because you can use interchangable lenses, but you have more control of the settings (exposure, aperture, metering, etc.)

I will not explain here in details how everything works. The web is full of this kind of stuff. I will treat this more as a personal experience with photography. The slideshow you see to the right of this text is created by photographs taken by me using a digital SLR camera. Most of them are experiments. I would consider them experiments. We'll see what comes out of it. Enjoy.

Photography 101

I probably should name this Photography 100 or Photography 90 or even lower. It's really mostly about finding the beginnings of photography and taking it to extremes. I mean details of techniques, procedures, gear, inspiring stories, etc. This should be fairily interesting to anyone who is seriously and/or pationately looking into photography. I will address here my findings, my searches, questions, worries, (well,... maybe not the worries :) about my involvement with photography. Since I will be starting more or less form scratch, this site should be addressing a whole bunch of topics as they pertain to what I stumble upon on my photographic adventures. Comments, suggestions from amateurs, professionals, or drive-by people are welcomed.

First, you need a camera. Unless you want to do it the old way. That is the really old way, say like in 1827, when the first actual photograph was made by French experimenter Joseph Nicéphore Niépce. I bet you didn't know that the exposure was 8 hours so the sun could actually be seen in both sides of the picture. (That is if you can make out of what exactly Mr. Niépce was photographing. - I am just being mean; you actually can).
Or, the very very old way just like Mr. Da Vinci in 1490 when he noted the priciples of the camera obscura which in Italian means "dark room". So how does that work?

Exclude as much daylight as possible from a room but allow a single beam to enter through a
small aperture the thickness of a pencil. Hold a sheet of white paper some 6in (~15cm) from the apertre and the scene outside the room will appear on the paper. It will be inverted (we have seen that before, haven't we? We see it all the time. That is really all the time. I bet you didn't know that the image is formed inverted on your retina (part of your eyes where the image is formed after it goes through your eyes - my Mom is an amazing ophtalmologist) but still somewhat recognizable. People have tried this over the centuries and even tried to come up with some portable camera obscura to "capture" some more images as they would travel different places. Imagine that(!) for a "camera". The way they would store these images would be to draw on a glass the image they would see coming through the aperture. It was used for portraits (more profiles actually I believe) and the process did involve drawing. Pretty slow, but back then, people really did take time to do things and if you think about it, up until about 200 years ago, people travaled just as fast (or just as slow) as in 33 AD.

So we find out that the actual camera is a room indeed. A room where we control the manner in which the light comes through (lenses, aperture, shutter speed) as well as the manner in which we capture that light in an image (on film or digital media).

I will stop right here for now and will be back. That's a little bit of introduction right here about what's "behind" the camera. I will address my impressions about the camera in a later post.